Various Artists- Music You Can Talk Over (2005) (HvEXAS Records)

(3 Parts)

HvEXAS Records 2005
a compilation of three longform tracks by Timh Gabriele, Tom Henry, Evan Leed, all atmospheric in nature. Designed to complement the Music You Can Talk Over series, an irregular series of events designed to function as background sound for cafes, bars, galleries, et al.

Timh m0dnAr- Reclaim the Beats (2003)

Side a2 -derivation is a form of flattery by Timh m0dnAr

Side b1- a cut and paste hero is something to be by Timh m0dnAr

Side b2- looks like the ... by Timh m0dnAr

Side c1- what it means to care too much by Timh m0dnAr

Side c2- there's a party in my walkman and everyone's invited by Timh m0dnAr

Side d- liberator soundsystem (sponsored by citizens for a rounder world) by Timh m0dnAr



A megamix made circa the dawn of mashups (pre-Girl Talk) in which most of the mix is made trying to mix melodies rather than simply laying a vocal over an instrumental. Success varies, as you can probably tell. Fun to make though and kind of a scrap book of what I was listening to back then. FDH catalogue 051. Sorry, I've forgotten some of the breaks I used on this

timh m0dnAr fdh reclaim the beats mashup party 2003

as a result of having being taken down by suspecting parties, the names have been changed to protect the innocent:


Tracks

CD 1
1. But You May Never Want To Hear That Song Again...(16:42)
2. Deprivation is a Form of Flattery (Duplicitous Synchronocity the Age of Mental Colonialism)(17:05)
3. A Cut and Paste Hero is Something to Be(11:24)
4. Looks Like the Sacred Sweetness and Light of the Sun's Crown, As It Were, Was Blown Away By the Trois Pink Hits of Thunderstorms From the Eighties (19:24) Download

CD 2
1. What it Means to Care Too Much (16:42)
2. There's a Party In My Walkman and Everyone's Invited (18:10)
3. Liberator Soundsystem (Sponsored by Citizens for a Rounder World) (22:08)

Performers:
Timh Gabriele




a1

kraftwerk- tour de france
salt n peppa- push it
the faint- your retro career melted
guns n roses- rocket queen
madonna- like a prayer
snow- informer
james white and the blacks- contort yourself
jimmy castor bunch- king kong
gary numan- m.e.
basement jaxx- where's your head at
eminem- without me
the doors
alvin and the chipmunks
sparky's magic piano
radio 4- eyes wide open
oasis- fuckin in the bushes
certain ratio- shack up
the rapture- house of jealous lovers
!!!- Intensify
you two- bu2iful day
koldplai- klokz
twentythree skidoo- coop
bee-sting boyz- intahgalactic
Tela Vizion - guide in light
deth n' vegans - gals
the pick-sees- velouria

a2

luverboy- turn me loose
dee purpel - smo con the water
the beat-alls- i am the wall, russ
tearz for fearz- sowing the cds of love
skinny puppy- dig it
nine inch nails- down in it
jayne's diction- had a dad
my bluddy valuntine- soft as snow
the claaaaaash- magnificent 777
world domination enterprises- asbestos lead asbestos
the easy cure- pick yours of you (the mix)
sub-lyme- get ready
audio bullys- we dont care
nine inch nails- piggy (version)
JC and mary chain- teensie aged lust
easy next is the e- ruthloss villian
liquid liquid- optimo
a certain ratio- do the du
lcd soundsystem- losing my edge
esg- moody (spaced out mix)
the stuges- reel kewl time
david axelrod, advisor to barack obama- mucho chapor
lightning bolt-crown of storms

b1

galaxy fivehundred- snow storm und drang
new order- age of consent
blurrrrr- boyz n gals
roxy mu-ziq- luv iz the drugg
the roll ink stoned- missed you
huey newton and the lews- i wanna nu-pharma
ray pahk the cah in the hahvud yahd jr- go buster
ten agist ds- tribute
jon lenin- working class he wrote
this mortal coil- meniscus
kevin shieldz- ikebana
skywave- sixteen


b2
acey/deesy- thundastruk
lightning bolt- crown of storms
lusssssh- sweetness and light (my bluddy valemtime's day mix)
matmos- regicide
ruxxy muse-sick- moor than these
neill die man- swede karoline
owtcast- pink n' bleu
LFO- sheath
solvent- when the sun hits
outkast- pink and blue
lfo- sheath
solvent- when the sun hits
wagon christ- workout
my donna- holy day
killing joe- the AD's
nerve on a- cum as U R
do ran do ran- the chaffeur
omd- sacred hardt
broke-in soshul seen- looks just like the son
erik satie- gymnopedies no 1
matmos- regicide
jon bryan- bookstore

c1

kerr bears cheer
faith no man- we care a lot
the nak- my cherona
visage- malpaso man
violent feminists- cunfessions
robert zimmerman- ballad of the tin man
joi da vision- digital
mount sims- together alone
alec empire- addicted to you
the stuges- i want to be your dawg
daf- der moose oh! lini
cyndi lop-er- she boppp
depesh moed- waiting for the nyght
peter timothy joseph gabriele- evan leed a normal a life
dmx krew- street boys
fischerspooner- the 15th (felix da housecat mix)
lowfish-1000 corrections per second
mag a zine- the light pours out of me
bryan eek-no- needle in the camera obscura's eye


c2
the temp stations- just my imagineering
mini street- laid lady laid
bow wow house- bela lugosi did
gunz and roasted- u cud b mine
new order- the him
the cuuuure- the hang-in garden
out cast- church
hot hot hot hot hot hot heet- inventing words
harold the fault of meyer - ax all f
yazzzzooooooo- sit u, asian
chris and cosey-october (love song)
douglas howser md theme
the ron nets- bee my bay bee
OMD- sealand
JC and mary chain- just like hunny
sigue sigue sputnik- atari baby
suisfine- cherie
pea tear town shend- let my luv opine the door (e. coli mix)
o, live- yer not alone
erica bad/ew- on and on


d

tom pity- americone girlz
the streakes- last night
freestylahz- b boy stance (freestylers revenge mix)
ex models- love japanese style
boyz don't cry- i wanna be a cowboy
kenny log-ins- the dane german zone
the filet ming lipps- fite test
kat stephens- father and sun
the veggie supreemes- u might as well hurry love
iggy pooped- lustfor on your forehead
maryland mansions- the bootiful ppl
blak sabeth- children of the grayve
the beech boyz- soifin' usa
chuck marion john barry- be good
the beet-alls- revolverlution
yahs- only you
the magnetic fields- you're my only home
wingz- simply having a wonderful jesus time
punk filoyd- ekoez
mark fisher spooner- the 15th
bryan e no- the bigg shipp
the beet-alls- because, cos
the beech boyz- owr praya

AUTOcratic Forcefeed- Driving Me In Sin (2005)

A recording planned for a compilation on Pasteroom Records that never came out. The compilation was called "Get in the Car" and was to contain all songs recorded inside of cars (where we felt safest of all

Autocratic Forcefeed- The Politics of Failure Have Failed (2007)

Released on the FDH compilation The Spirit of 73 (FDH 073), a free sampler given away to a bunch of folks. The last release as Autocratic Forcefeed

Autocratic Forcefeed- Glanost Was Fun While It Lasted (2005)

Released on the compilation V1 (2005):
http://www.discogs.com/Various-V-1/release/540681

1 Neeb - 413
2 Dick Motorola - Fresh Pocky Bits
3 Hnatiw - Real
4 Linda Lamb - Cold House
5 m0dnAr - We Are Friends
6 Punk Bunny - Felcher
7 Houston Bernard - Str8 Actin'
8 Stochastic - Robot Rock
9 Clone Françoise - Nautilus (Acid Dub)
10 Android - A Remix Of A Nonexistant Song
11 Autocratic Forcefeed - Glasnost Was Fun While It Lasted
12 Beltonesuicide - Cremation Was The Least
13 Tintintio - Injured Making Love

Autocratic Forcefeed- Wait to Die (2005)

This track was originally be released on a compilation on the Forcefieldsforever label run by Simon Thrasher. To my knowledge, it was never released. It also had a short story that was to be released in a companion book of prose, along with the release. The entire compilation was music inspired by or otherwise about dreams.

Piece inspired by dream in which an abstract and omnipresent spirit guides us through a house with impossible dimensions where the dim lights and coagulated air obscure our vision. The house unfolds into secret passageways and hidden architectural fronts. A Narrator goads us with small clues leading us to each subsequent destination. In the various rooms, we learn a moralistic lesson or are exposed to what is just beyond our eyes. We are guided not necessarily by faith, but by the immutably human need to go further, to discover, to find out where this is going.

When we arrive, the world beyond the entrance explodes in a dazzling array of deceptively golden light. We are still within the house, but the dilapidated walls and rotted wood have transformed into heavily fortified, polished, and painted enclosings, not unlike the interior walls of a museum corridor. We pass by fine art and elegant furniture and the signs of opulence bemuse and delight my fellow travelers, though I remain skeptical of the journey.

The general consensus is that this is heaven and my fellow travelers are quick to jump to this conclusion. Certainly, the spirits moving through us have made our journey seem cataclysmic, but I refuse to let my anticipation give way to rash conclusions. I wait for the evidence to pile in.

We encounter a number of ghosts, who inform us that our suspension of disbelief thus far has served us well, but in order to go even further we will have to kill someone. Someone whose name starts with a K. Kerrigan, possibly?

“Why do we have to kill Kerrigan?” I ask.

“Because we miss the old bastard.” One ghost says, laughing lightheartedly.

“Man, I haven’t seen Kerrigan in forever,” another exclaims.

I wonder why Kerrigan hasn’t joined them in the afterlife yet. After all, though he may not be dead yet in our reality, surely the afterlife does not operate in the same temporal plane of existence as us mortals. I ask the ghosts if this means that Time as a measurement still exists and haunts us after we die. Are we are still bound by the same relativistic chains that constrict us on this mortal coil after we’ve superceded our fleshy shells, I wonder?

The ghosts become confused and appear almost contemptuous of any philosophical inquiry or intellectual debate. It is at this point that I feel like I may have been manipulated. I feel like I might be being led into a trap. Why would I be required to kill in order to get into heaven? Why would enlightened sentient creatures forbid human ponderance, even riddled as it were with the limitations of man’s imagination?

I say nothing further and we proceed.

We continue through the museum corridors into larger spaces, no less cultured or elegant, and begin to see other bodies. Human bodies. Animated, lively, happy, interacting with one another. The faces are flawlessly jubilant. The décor is astounding. The air is fresher. Stepping back into the world of humanity comforts any ills begotten by the frightening memories of what had just transpired. Our final room is a gigantic spherical ballroom with a sunroof and a 360 degree perimeter of windows overlooking a thriving city. The doors to the outside world are open and a gust of wind from the bustling metropolis sails in as we adjust to the warm ambience.

In the ballroom and on the adjacent deck, people are dining, discussing, and dancing, each looking fanciful and dapper.

“Oh my God. This IS heaven!” Chris, who is still dressed in civilian clothes like the rest of us, says.

I begin to believe him as I bask in the spectacle of harmonious being that surrounds us. I overlook the fact that none of these cheerful faces seem to have noticed us, until one starts walking towards us. It is Professor Hanley, whom I instantly recognize as our narrator.

“Sorry for all the spooky stuff back there,” he says.

He explains to us how we will soon see why it was necessary and leads us to a table outside of the ballroom in the crisp, spring air. The travelers and I are slightly perturbed by Hanley’s presence, but follow him anyway. Well, all of us are pertubed except Chris, who, before we could sit down literally grabbed Hanley and proclaimed:
“I don’t ever want to leave. I just can’t wait to die!”

Hanley calms him down and starts to fumble through his justification over the murder of Kerrigan. I begin to lose faith quickly, but Chris is hanging by his every word.

As Hanley stutters, I go along with it, helping him by mentioning Kierkegaard’s theory on the teleological suspension of the ethical. He incorporates my point into his argument and my attention wanders to the tables next to me. Their conversations are too faint to make out and I begin to wonder if they are real. They move with such ease, but are so impenetrable, like a life-size game of The Sims.
I hone in on one couple, watching as they move their lips, play with the umbrellas in their martini glasses, and cross their legs in stereotypical sexual anxiety. The gentleman’s whispers slow down and I drown out everything but his voice. He moves his lips meticulously and precise so that I can make out what he says next, which I am completely unprepared for.

“Please. Get me out of here.”

Autocratic Forcefeed- Free Market Economics (2006)

This was a track that was originally set to be released on a compilation called "99 Trax and a Bitch Ain't One". To my knowledge, this never came out, but it was going to be an album of 99 tracks by 99 different artists all made using elements of Jay-Z songs to be compiled by Belltonesuicide

Autocratic Forcefeed- Live on WVKR/ Tiny Red Dragons (2005)

Recorded Live on the Tiny Red Dragons radio show. This was at one time set for an FDH release, but it never happened. Overall, it was a pretty decent set and mostly improv, which was rare for this time period.

(Live)
1. Wire in Tandem
2. Blixfeld4
3. Laptop Danceless
4. Some People Like Birds

This one wasn't played on the radio, like the other tunes included in this series, but it was intended to be released on FDH with those tunes. Samples come from an old tape of Reading Rainbow, I believe and some loops from a compilation of collected carnie music and ice cream truck jingles called Sounds for Little Ones, I believe.

5. L'Avventura DVD Menu Screen Theme

Like the previous tune in this series, this was not recorded live on Tiny Red Dragons, but was to be included on the FDH release of that performance.

Autocratic Forcefeed- The Suicide Party Tapes 3.18 (2005) (FDH 027)

Recorded Live on 03/18/05, this is a live capture of some intriguing combinations of loops, most of which were made with skipping CDs.

Released on FDH Records 027

Autocratic Forcefeed- Suicide 10 (2005)

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An unreleased mix of all 10 songs from The Suicide Party Tapes Vol 1 layered atop each other (sometimes referred to as the Police Cops mix after the FDH side project with Jeff Bumiller).

Autocratic Forcefeed- The Suicide Party Tapes Vol 4 (2005) (FDH 026)

FDH 026
A very meditative and slow winding ambient soundscapes bound together by persistent bells, train beats and slightly harmonic drones. New melodies seep in and out of each other and transform in oceanic waves.

created in Acid from various samples and field recordings

Autocratic Forcefeed- The Suicide Party Tapes Vol 5: Gabriele's Wake (2004) (FDH 025)

off FDH 025 The Suicide Party Tapes Vol 5

this was originally a CD released as one longform track broken down into 23 "phases" or chapters, one for each year of my life up to that point and imagining the final to be the year of my death. this is subtitled in some FDH literature as Gabriele's Wake because of the short experimental fiction story of the same name that came inside of each copy of the CD, which was Finnegan's Wake-esque in its use of neologisms and allusion (but perhaps in no other distinguishable way). Most of this work was composed of remixed, scrambled, mashedup version of previously recorded songs that wil probably pop up in some form or another on this Youtube channel.


phase I external pathologies
phase II low frequency observations
phase III viral archetype
phase IV transmigration of the sold
phase V cultural betrayal (assumption is the mother of all constructs)
phase VI splendor in silence
phase VII mass adverisity of unattrition
phase VIII exile and the kingdom
phase IX aphid twix
phase X marching to salivation
phase XI hills like wide-eyed sycophants
phase XII float (empathy for god)
phase XIII and it really doesn't matter what i say
phase XIV these fucking wrists
phase XV tatamari
phase XVI what's your name?
phase XVII elude your delusions
phase XVIII bedridden
phase XIX nocturnal emancipation (temple of isis reprise)
phase XX fun with glass
phase XXI the darwin game
phase XXII the suicide/birthday party (numb)
phase XXIII death is nature's way of saying slow down

Autocratic Forcefeed- The Suicide Party Tapes Volume 1 (2004)

1. Accredited Haunted Mansion
2. The Blind Leading the Naked
3. Allergic to Death
4. Burnt Hills
5. 7734
6. Modern Templars (A Christmas Carol)
7. Mother's Insulin
8. Works in Phono
9. Dogu
10. Footprints

m0dnAr- a Heap of Sweet (2004)

One of the last m0dnAr creations. A nintendo-esque suite started by tom and finished off by me.

m0dnAr- Why Would Shadow Maps Blow Robert Rodriguez? (Live) (2003)

SreTteL m0dnAr- The Birth of Unintelligent Dance Music (2002)

m0dnAr was originally shorthand for sRetTeL m0dnAr (random letters backwards), but we shortened it to make it easier to pronounce. There was a three song EP that start it all off called "The Birth of Unintelligent Dance Music" a knock at IDM. As a bonus, a remix of "What Goes On" has been included. The remix was scheduled for release on the final, unnamed, unreleased m0dnAr album.

The tracklist was
1. Autoerotic Substitute for the Savior
2, School Shooting (later on m0dnAr's debut album)
3. What Goes On
4. The World of La (What Goes On)

m0dnAr- Theme to Superwhore (2002)

this was a birthday gift to a friend and meant with 0% ill will. the main riff is sampled"cyngnet committee", the friend's favorite song by david bowie, whom this certain friend referred to only as "God"

m0dnAr- The Gentle Courtship of a Young Maiden (With Chocolate)

m0dnAr- The Very White Man (Illuminati Mix) (2002)

white boy rap by christ